A finished AI music video or film
Music and film tracks, start to finish: concept, prompts, motion, edit, sound, delivery. You leave with a finished piece that carries your name, not a folder of clips.
Six subscriptions, a stack of tutorials, nothing finished. That's learning AI alone. The AI Creator Society is where you finish: courses in AI video, Suno, and artist development, plus weekly creative coaching on your work. And there's a stage waiting. Sound & Screen, Wednesdays 7PM ET, a real audience, and a director giving it the honest read, live on air.
$67/mo · cancel anytime · Founding Member rate for the first 100
See what's inside ↓Music and film tracks, start to finish: concept, prompts, motion, edit, sound, delivery. You leave with a finished piece that carries your name, not a folder of clips.
The record comes first. Learn to write, shape, and finish AI music in Suno that sounds intentional, so your videos have something worth building on.
Identity, sound, look, and catalog. The same artist-development thinking I have applied for three decades, pointed at your AI artist project.
Live coaching and Q&A each week, inside a community of serious AI creators making theirs alongside you. Bring the work. Get the honest read. Keep moving.
Think about what learning this costs any other way. Film school takes years and skips these tools. A one-off course goes stale the month the tools update. Hiring it out is studio work, priced like studio work. And there's a ladder now: I serve on the Creative Advisory Council, SIQA (creators of the world's first AI music charts). AI artists are charting.
The Community is the version where you learn to do it yourself, with me in the room every week. $67/mo, cancel anytime. That's the Founding Member rate, held for the first 100 creators. If it isn't moving your work forward, leave. No exit interview, no guilt. It has to earn its place every month, same as any tool in your rack.
No. The courses start at zero and the weekly lives meet you where you are. What you do need is the willingness to make things that aren't good yet. Everyone's first videos are rough. Mine were.
Yes. I've spent 30 years walking musicians through every shift this industry throws: analog tape to DAWs, home studios to streaming, now AI. Age was never the barrier; not starting was. You start where you are, and you finish things.
The ones earning their place in a real workflow right now. Image, video, and audio tools change month to month, so I won't pretend a fixed list stays true. What I actually teach is directing craft, the thinking that transfers when the tools turn over. It's the same craft I've brought to collaborations with CapCut and VidMuse. Keeping up is what the weekly lives are for.
One live session a week, about an hour, and every session is recorded if you can't make it. The courses are self-paced. A few focused hours a week is enough to make real progress.
Yes. It's a Skool subscription: $67/mo, cancel from your account settings whenever you want. No calls, no hoops, no exit interview. If it stops earning its place, leave.
Yes. Music videos are where I built my name, but the craft (concept, prompt, motion, edit) carries straight into short films, animation, and brand work. The community isn't musicians-only.
I spent a career learning how records get made, and the last few years learning how these videos get made. Sound & Screen's launch night pulled 128K+ likes. The Community is where I hand both over.
$67/mo · cancel anytime